My artistic practice stems from a profound interest in exploring pure form and its inherent power. I am invariably attracted to enigmatic structures and forms that do not reveal their meaning immediately, where the mere existence and presence of the object become the determining factors. It is through these works that the object becomes the subject. My visual language is characterized by hard edges and bold colors, deliberately eschewing realism to emphasize these forms.

Landscapes utterly devoid of human presence are frequently featured in my work – vast, empty, often barren, and at times, almost hostile. This emptiness provokes introspection, focusing attention entirely on the intricate details of the forms within the scene. Open, minimalistic rooms that exist purely for their own sake, and interiors devoid of any discernible purpose, are other recurring motifs I enjoy painting. These works produce uncertain spaces, inviting viewers to imbue the forms with their own meaning or simply to engage with their inherent ambiguity. Through this non-representational technique, these carefully constructed worlds gain almost sculptural veracity.